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It was the first time the public had an opportunity to see reefs, various types of marine life and men mingling with sharks. It was also World War I, and submarine warfare was very much in the public consciousness, so the life-size submarine gave the film an added dimension of reality. The film was immensely popular with audiences and critics. Freight handlers Bud Abbott and Lou Costello encounter Dracula and Frankenstein's monster when they arrive from Europe for a house of horrors exhibit.

After the monsters outwit the hapless duo and escape, Dracula returns for Costello whose brain he intends to transplant into the monster. Lon Chaney Jr. Throughout the film, Dracula and the Monster cavort in plain view of the quivering Costello who is unable to convince the ever-poised and dubious Abbott that the monsters exist. Based on the infamous case of Kentucky cave explorer Floyd Collins, who became trapped underground and whose gripping saga created a national sensation lasting two weeks before Collins died.

A deeply cynical look at journalism, "Ace in the Hole" features Kirk Douglas as a once-famous New York reporter, now a down-and-out has-been in Albuquerque. Douglas plots a return to national prominence by milking the story of a man trapped in a Native American cave dwelling as a riveting human-interest story, complete with a tourist-laden, carnival atmosphere outside the rescue scene.


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The callously indifferent wife of the stricken miner is no more sympathetic: "I don't go to church. Kneeling bags my nylons. Such a scathing tale of media manipulation might have helped turn this brilliant film into a critical and commercial failure, which later led Paramount to reissue the film under a new title, "The Big Carnival. Spencer Tracy and Katharine Hepburn play husband and wife attorneys, each drawn to the same case of attempted murder.

7th Heaven (1927)

Judy Holliday, defending the sanctity of her marriage and family, intends only to frighten her philandering husband Tom Ewell and his mistress Jean Hagen but tearfully ends up shooting and injuring the husband. Tracy argues that the case is open and shut, but Hepburn asserts that, if the defendant were a man, he'd be set free on the basis of "the unwritten law.

Holliday's first screen triumph propelled her onto bigger roles, including "Born Yesterday," for which she won an Academy Award. The film is also the debut of Ewell, who would become best known for his role opposite Marilyn Monroe in "The Seven Year Itch", and Hagen, who would floor audiences as the ditzy blonde movie star with the shrill voice in "Singin' in the Rain. When Richard the Lion-Hearted is captured and held for ransom, evil Prince John Claude Rains declares himself ruler of England and makes no attempt to secure Richard's safe return.

A lone knight, Robin Hood Errol Flynn , sets out to raise Richard's ransom by hijacking wealthy caravans traveling through Sherwood Forest.

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Aided by his lady love, Maid Marian Olivia de Havilland , and band of merry men including Alan Hale and Eugene Pallette Robin battles the usurper John and wicked Sheriff of Nottingham to return the throne to its rightful owner. Dashing, athletic and witty, Flynn is everything that Robin Hood should be, and his adversaries are memorably villainous, particularly Basil Rathbone with whom Flynn crosses swords in the climactic duel. One of the most spectacular adventure films of all time, and features a terrific performance by the perfectly cast Flynn. Only a spirited and extravagant production could do justice to the Robin Hood legend; this film is more than equal to the task.

Erich Wolfgang Korngold's score won an Oscar, as did the editing and art direction. Adapted from a novel by C. Forester, the film stars Humphrey Bogart in an Oscar-winning portrayal of a slovenly, gin-swilling captain of the African Queen, a tramp steamer carrying supplies to small African villages during World War I. Katharine Hepburn plays a prim spinster missionary stranded when the Germans invade her settlement.


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Bogart agrees to transport Hepburn back to civilization despite their opposite temperaments. Before long, their tense animosity turns to love, and together they navigate treacherous rapids and devise an ingenious way to destroy a German gunboat. The difficulties inherent in filming on location in Africa are documented in numerous books, including one by Hepburn. Written and directed by David Zucker, Jerry Zucker and Jim Abrahams, the film is characterized by a freewheeling style and skewered Hollywood's tendency to push successful formulaic movie conventions beyond the point of logic. One of the film's most noteworthy achievements was to cast actors best known for their dramatic careers, such as Leslie Nielsen, Robert Stack and Lloyd Bridges, and provide them with opportunities to showcase their comic talents.

The central premise is one giant cliche: a pilot Robert Hays , who's developed a fear of flying, tries to win back his stewardess girlfriend Julie Hagerty , boarding her flight so he can coax her around. Due to an outbreak of food poisoning, Hays must land the plane, with the help of a glue-sniffing air traffic controller Bridges and and his tyranical former captain Stack.

Supporting the stars is a wacky assemblage of stock characters from every disaster movie ever made. This film's appeal may lie in its reputation as "a haunted house movie in space.

Art designer H. Giger creates what has become one of cinema's scariest monsters: a nightmarish hybrid of humanoid-insect-machine that Scott makes even more effective by obscuring it from view for much of the film. The cast, including Tom Skerritt and John Hurt, brings an appealing quality to their characters, and one character in particular, Sigourney Weaver's warrant officer Ripley, became the model for the next generation of hardboiled heroines and solidified the prototype in subsequent sequels.

Rounding out the cast and crew, cameraman Derek Vanlint and composer Jerry Goldsmith propel the emotions relentlessly from one visual horror to the next. The dialog is often too bitingly perfect with its sarcastic barbs and clever comebacks, but it's still entertaining and quote-worthy.

Jane Fonda

The film took home Academy Awards for best picture, best director Joseph L. George Sanders won a best supporting actor Oscar for his performance as the acid-tongued theater critic Addison DeWitt. Thelma Ritter as Margo's maid, Celeste Holm as Margo's best friend, and Marilyn Monroe, in a small role as an aspiring actress, give memorable performances. Movie poster.


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Written and directed by George Stoney, this landmark educational film was used to educate midwives throughout the South. In documenting the preparation for and delivery of healthy babies in rural conditions ranging from decent to deplorable, the filmmakers inadvertently captured a telling snapshot at the socioeconomic conditions of the era that would prove fascinating to future generations. This faithful adaptation of Erich Maria Remarque's classic pacifist novel is among the greatest antiwar films ever made, remaining powerful more than 80 years later, thanks to Lewis Milestone's inventive direction.

Told from the perspective of a sensitive young German soldier Lew Ayres during WWI, recruited by a hawkish professor advocating "glory for the fatherland. The film is emotionally draining, and so realistic that it will be forever etched in the mind of any viewer. Milestone's direction is frequently inspired, most notably during the battle scenes.

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In one such scene, the camera serves as a kind of machine gun, shooting down the oncoming troops as it glides along the trenches. Universal spared no expense during production, converting more than 20 acres of a large California ranch into battlefields occupied by more than 2, ex-servicemen extras. After its initial release, some foreign countries refused to run the film. Poland banned it for being pro-German, while the Nazis labeled it anti-German.

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Joseph Goebbels, later propaganda minister, publicly denounced the film. The rich visual texture, using glorious Technicolor, and a soaring emotional score lend what is essentially a thin story a kind of epic tension. A movie unheralded by critics and largely ignored by the public at the time of its release, All That Heaven Allows is now considered Douglas Sirk's masterpiece. The story concerns a romance between a middle-aged, middle-class widow Jane Wyman and a brawny young gardener Rock Hudson —the stuff of a standard weepie, you might think, until Sirk's camera begins to draw a deeply disturbing, deeply compassionate portrait of a woman trapped by stifling moral and social codes.

Sirk's meaning is conveyed almost entirely by his mise-en-scene—a world of glistening, treacherous surfaces, of objects that take on a terrifying life of their own; he is one of those rare filmmakers who insist that you read the image. Joe Gideon Roy Scheider, channeling Fosse is the ultimate work and pleasure -aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, an ex-wife Audrey, girlfriend Kate, young daughter, and various conquests. Fosse shows the stiff price that entertaining exacts on entertainers among other things, he intercuts graphic footage of open-heart surgery with a song and dance , mercilessly reversing the feel-good mood of classical movie musicals.

Broderick Crawford won an Academy Award for his portrayal of Willie Stark, a backwoods Southern lawyer who wins the hearts of his constituents by bucking the corrupt state government. The thesis is basically that power corrupts, with Stark presented as a man who starts out with a burning sense of purpose and a defiant honesty. Rossen, however, injects a note of ambiguity early on a scene where Willie impatiently shrugs off his wife's dream of the great and good things he is destined to accomplish ; and the doubt as to what he is really after is beautifully orchestrated by being filtered through the eyes of the press agent Ireland who serves as the film's narrator, and whose admiration for Stark gradually becomes tempered by understanding.

Based on the memoir by "Washington Post" reporters Bob Woodward and Carl Bernstein about uncovering the Watergate break-in and cover up, "All the President's Men" is a rare example of a best-selling book transformed into a hit film and a cultural phenomenon in its own right. Directed by Alan J. Pakula's taut directing plays up the emotional roller coaster of exhilaration, paranoia, self-doubt, and courage, without ignoring the tedium and tireless digging, and elevating it to noble determination. Called the master of "cosmic cinema," Jordan Belson excelled in creating abstract imagery with a spiritual dimension that featured dazzling displays of color, light, and ever-moving patterns and objects.

Trained as a painter and influenced by the films of Oskar Fischinger, Norman McLaren, and Hans Richter, Belson collaborated in the late s with electronic music composer Henry Jacobs to create elaborate sound and light shows in the San Francisco Morrison Planetarium, an experience that informed his subsequent films. The film, Belson has stated, "was probably the space-iest film that had been done until then. It creates a feeling of moving into the void. I am a Greek by blood, Turk by birth, American because my uncle made a journey.

Based loosely on Kazan's uncle, Stavros dreams of going to America in the late s.